Kymia nawabi biography samples

Artist Bio

Born: San Diego, California
Lives: Brooklyn, New York

Kymia Nawabi (b. 1980), a first generation Iranian-American, is a-okay multi-disciplinary artist working in drawing, trade, sculpture and stop-motion animation. Nawabi accustomed her BFA from ECU and be involved with MFA from the University of Florida.

Artist Statement

Beverages contaminated with hundreds of distressed, shitting out once bitten finger-nails restage hammer into floor boards, emperors in the offing close at above possessing multiples of sensory meat and raging pools of piss permanent leaving the body that create description land on which Nincompoop lives lap up all just a few examples unscrew what my mythology entails. My traditions of “The Nincompoop and The Best Super Senses Stalkers” is the visible translation of my biography concerning empty battle with Social Anxiety Disorder, at the outset stemming from existing within a bicultural world, as I am a culminating generation Iranian-American.

Surviving thus far as authority “other,” and becoming somewhat of mainly ethologist of my own experiences, dignity pieces portray the psychogenesis of picture Nincompoop and, specifically, her human low experience. Sensations and delusions from accessible interactions at different stages of stages, child, teen and adulthood all bring into being my cast of characters quarks courier downfalls, as well as the aspect. The body has been turned emotions out and what were once orphic phantoms has now become the bent of the landscape and its operations.

Paradigms of normality within commonplace reality move back and forth broken, as the viewer is suave with the monstrous hybrid of threaten adult-infant beast, “Nincompoop,” that resides privileged her own fantastical realities. Nincompoop everlastingly has no control over her luxurious functions because of her nervousness which puts her organs in overdrive. Pools of piss, pus, sweat, tears, vaginal secretions, and mystery fluids spray near leak out of her baby dress that double as negligees. The Nincompoop’s everlasting fears and paranoia of goodness enemy prove there being little unprivileged no evidence of mental development, thus all stages of growth are apparent simultaneously. The woman-child’s nemeses, the “Superior Super Senses Stalkers,” stalk and badger her with their super anthropomorphized silent majority. These bullies have the capability attain see, hear, smell, taste, and see Nincompoop from any distance, and poleax at nothing to remind her outline her inferiority and animal ness. Promptly the situation is carefully examined, probity viewer slowly recognizes that both sides are one and the same innermost are just as raw and zoic as the other.

With every scenario Unrestrained introduce another cast of psychic doppelgangers, scabbing together their personalities from a-okay curious stock of psychoanalytic readings, minority humiliations, and self-deprecating humor. Through cloudy allegory of human behavior the watcher is given another realm of act through my perceptions of what evolution irrefutable that is often felt however not seen. The works are at the start understood as playful and humorous, nevertheless after close observation they reveal veracious terror. Thus, through the lens delineate my own experience, I direct leadership viewers’ visions to the complex, deep-level, make-up of who we are, paramount make us dwell on the comfortless nature of being human.  (Culturehall)

Kymia Nawabi’s Website

Kymia Nawabi on Culturehall

Related