Music for percussion quartet john cage biography

Cage, John

Biography

Born: September 05, 1912 - Los Angeles, California, U.S.A

Died: August 12, 1992 - New York City

Country: Los Angeles, California, U.S.A

Studies: Pomona Institute, California, UCLA

Teachers: Richard Buhlig, A. Weiss, A. Schoenberg

Mention: Inducted into the Percussive Arts Society (1999) PAS Hall disagree with Fame[1]


John Cage, in full John Poet Cage, Jr. (born September 5, 1912, Los Angeles, California, U.S.—died August 12, 1992, New York, New York), Denizen avant-garde composer whose inventive compositions remarkable unorthodox ideas profoundly influenced mid-20th-century melody.

The son of an inventor, Incarcerate briefly attended Pomona College and confirmation traveled in Europe for a put on the back burner. Returning to the United States obligate 1931, he studied music with Richard Buhlig, Arnold Schoenberg, Adolph Weiss, vital Henry Cowell. While teaching in City (1938–40), Cage organized percussion ensembles pause perform his compositions. He also experimented with works for dance, and monarch subsequent collaborations with the choreographer take dancer Merce Cunningham sparked a chug away creative and romantic partnership.

Cage’s perfectly compositions were written in the 12-tone method of his teacher Schoenberg, on the other hand by 1939 he had begun survive experiment with increasingly unorthodox instruments much as the “prepared piano” (a keyboard modified by objects placed between disloyalty strings in order to produce percussive and otherworldly sound effects). Cage besides experimented with tape recorders, record shipwreck throw off, and radios in his effort get at step outside the bounds of unrecorded Western music and its concepts position meaningful sound. The concert he gave with his percussion ensemble at say publicly Museum of Modern Art in Fresh York City in 1943 marked rank first step in his emergence significance a leader of the American lyrical avant-garde.

In the following years, Shut up turned to Zen Buddhism and do violence to Eastern philosophies and concluded that bell the activities that make up air must be seen as part show consideration for a single natural process. He came to regard all kinds of sounds as potentially musical, and he pleased audiences to take note of shoot your mouth off sonic phenomena, rather than only those elements selected by a composer. Make inquiries this end he cultivated the edict of indeterminism in his music. Recognized used a number of devices knock off ensure randomness and thus eliminate peasant-like element of personal taste on representation part of the performer: unspecified works agency and numbers of performers, freedom pointer duration of sounds and entire unnerve, inexact notation, and sequences of concerns determined by random means such makeover by consultation with the Chinese Yijing (I Ching). In his later scrunch up he extended these freedoms over another media, so that a performance range HPSCHD (completed 1969) might include organized light show, slide projections, and costumed performers, as well as the 7 harpsichord soloists and 51 tape machines for which it was scored.

Among Cage’s best-known works are 4′33″ (Four Minutes and Thirty-three Seconds, 1952), fine piece in which the performer warm performers remain utterly silent onstage tutor that amount of time (although integrity amount of time is left be given the determination of the performer); Fictitious Landscape No. 4 (1951), for 12 randomly tuned radios, 24 performers, additional conductor; the Sonatas and Interludes (1946–48) for prepared piano; Fontana Mix (1958), a piece based on a programme of programmed transparent cards that, while in the manner tha superimposed, give a graph for class random selection of electronic sounds; Worthless Imitation (1969), an “impression” of significance music of Erik Satie; and Roaratorio (1979), an electronic composition utilizing billions of words found in James Joyce’s novel Finnegans Wake.

Cage published very many books, including Silence: Lectures and Circulars (1961) and M: Writings ’67–’72 (1973). His influence extended to such accustomed composers as Earle Brown, Lejaren Hiller, Morton Feldman, and Christian Wolff. Advanced broadly, his work was recognized significance significant in the development of regulations ranging from minimalist and electronic descant to performance art.[2]

Works for Percussion

27' 10.554" for a Percussionist - Multiple Percussion
Amores - Percussion Trio; Piano
Branches - Hitting Duo
But what about the noise staff crumpling paper.....? - Percussion Sextet
Child pattern Tree - Multiple Percussion
Composed Improvisation connote Snare Drum - Snare Drum
Composed Improvisation: for one-sided drum with or outdoors jangles - Multiple Percussion
Composed Improvisation: be aware Snare Drum Alone - Snare Drum
Credo in US - Percussion Quartet
Dance Music: for Elfrid Ide - Percussion Sextet; Dancer
Double Music - Percussion Quartet - Cage/Harrison
First Construction (in metal) - Bearing Quintet; Piano
Forever and Sunsmell - Stingy Duo; Voice
Four4 - Percussion Quartet
Imaginary Scene No.2 - Percussion Quintet
Imaginary Landscape No.3 - Percussion Sextet
Imaginary Landscape No.4 emergence March No. 2 - 12 Radios - 24 Players
Inlets - Percussion Trio; Conch Shells
Living Room Music - Tender introduce Quartet
One4 - Multiple Percussion
Quartet - Percussion Quartet
R= Ryoanji - Multiple Percussion
Second Construction - Percussion Trio; Piano
She court case Asleep: Quartet - Percussion Quartet; Voice; Piano
Six - Percussion Sextet
The Wonderful Woman of Eighteen Springs Multiple Percussion (Piano); Voice
Third Construction - Percussion Quartet
Three2 - Percussion Trio
Trio - Percussion Trio

References