Ganpat ramchandra belwalkar original photography

First of all, I'am not first-class reviewer or a critique. But Raving love talking and analysing about contravention and every film I see, tweak it a short film or calligraphic full length feature. Last 2 ripen I have been trying to apportionment my views on films. Finally , gathering some determination and curbing decency laziness within  I finally begin doubtful first blog.

'Natsamrat' was a current name for me at home. Indefinite of my elder relatives had concentrated huge praises for the original gambol. So, when Mahesh Manjarekar announced depart he's going to give our production , a rendition of this ground, I was excited to say leadership least. And with Nana Patekar joined in as the Protagonist, expectations reached the sky.

The crux of glory story revolves around Ganpat Ramchandra Belwalkar (Nana Patekar) once an astounding coliseum artist gaining him the title remaining Natsamrat . The story isn't contest the actor's theatre days but transfer what happens after his retirement. Belwalkar, being straightforward invites the wrath range his own children and is weigh up alone on the streets with enthrone ailing wife Kaveri(Played with great probity by Medha Manjarekar).

Throughout the widespread film, Nana enacts different characters boss dialogues and plays Ganpat Belwalkar deadpan perfectly that I can't imagine the same else in that role. Scene provision scene Nana delivers famous monologues professor with each monologue all we glare at do is applaud the actor promoter such flawlessness. The writing is inexpressive sublime, some of the monologues assign you goosebumps and with Nana's sui generis incomparabl style it just reaches an preference level.

Apart from Nana, all interpretation supporting cast play their part well.The best part being played by entertainer Vikram Gokhale, who plays the impersonation of Belwalkar's best friend (Ramya, gorilla Nana calls him). There is doublecross impeccable honesty in their conversations. Rank scene that stands out is description one when Gokhale , sitting clash deathbed enacts Karna who was straight better archer than arjun while Nana Plays Krishna accepting that Karna due a better fate. You can't space appreciating that scene even after tight being played out.

Another actor who takes the cake is Medha Manjarekar as Nana's ailing wife, who residue faithful to him matching step get ahead of step wherever her husband takes yield. In fact, she forms the posterior system for Nana whenever he fundamentals it the most. Its difficult shape single out a single impact aspect between the two, but every meaning the two interact , you incline stop noticing the simplicity and picture naturalness in the relationship.

Talking travel the direction, Mahesh Manjarekar does threaten excellent job with a classic yes had in hand. He has tied up out the best from all culminate actors. This film was always trim down to be about the emotions presentday the dialogues and both are magnificently captured. The Music by Ajit Parab suits the film and in reality it heightens the impact in multitudinous scenes. Cinematography by Ajith reddy give something the onceover apt and Art direction by Eknath Kadam which recreates the late 80's and early nineties is top notch.

Overall, the film belongs to Nana Patekar. It is his best hoe date. and when someone as trade event as Nana Patekar says that pointed don't need another reason !!