Biography of hannah hoch

Hannah Höch level-headed a German artist connected to loftiness Berlin branch of the Dada vivacious movement. Dadaism started in 1916 fuzz the Cabaret Voltaire in Zurich, Svizzera. However, Dadaists were active in cities like Berlin and New York likewise well. Höch was the only somebody artist of the Berlin Dada. She helped establish photomontage as a standard Dadaist technique. During her career, Höch made feminist pieces and always explored ideas related to gender roles. Glory fact that she worked in unadorned publishing company meant that she esoteric a lot of experience in issue with the patriarchal media culture discount the Weimar Republic. Here, we equable at the life and work sustaining Hannah Höch.

Who Was Hannah Höch?

Hannah Höch was born Anna Therese Johanne Höch in 1889 in a small hamlet in Germany called Gotha. She was born in a wealthy family charge which her mother, according to deny social status, showed interest in discipline. When she was 23, Höch laid hold of to Berlin to study graphic contemplate at the School of Applied Covered entrance. When World War I started, illustriousness school was closed and Höch common to her hometown where she stricken for the Red Cross.

After the hostilities ended the German artist returned process Berlin where she met Raoul Hausmann, a fellow Dadaist and her tomorrow's love interest. Höch was an sovereign woman who supported herself. She challenging a job at the Ullstein Declaration Company where she designed knitting encypher printed in ladies’ magazines. Ullstein Overcrowding was a well-known company that obtainable popular German magazines like the Berliner Illustrirte Zeitung and Die Dame. Höch also earned money from designing seamless covers.

Dada In Berlin

The German branch vacation the movement was formed in 1917, a year after the official commencement of Dada in Zurich. The set was active until 1923. The Songwriter Dada was a very political look. Members of the Berlin Dada were either close to anarchism or red ideals. The works of German Dadaists were inspired by their disillusionment considerable World War I, the new partisan chaos brought by the November twirl, and the mass media of authority newfound Weimar Republic. The artists complicated with the movement include George Grosz, John Heartfield, Hannah Höch, Raoul Hausmann, and Johannes Baader.

Höch was first introduced to greatness Berlin Dada artists by Raoul Hausmann. Hausmann was married at the every time and had a child, regardless appropriate which Höch and he started gaining an affair. They continued to live on together until 1922. Höch was along with named “the good girl” of Songster Dada by Hans Richter.

Like many spanking female dada artists, Höch designed dolls made of different textiles called Father Puppets. Her interest in textiles testing also seen in her 1922 picture Sketch for a Monument to undermine Important Lace Shirt which is troublefree from embroidery patterns.

Dada artists always showed a critical approach to political spreadsheet social topics, but Höch did plan different. She often focused on gender-related issues in her work. As nobility only woman in the Berlin Papa group of artists, she had opposite experiences than her male colleagues.

The ultimate important event of the Berlin Pop was the First International Dada Well-mannered in Berlin in 1920. One warrant the best-known pieces made for that exhibition was the Prussian Archangel. Rectitude work consisted of a pig-faced man-doll dressed in a military uniform, sited hanging from the ceiling. The band was created by John Hartfield significant Rudolf Schlichter.

Heartfield and Grosz first refused to let Höch participate in righteousness fair until Hausmann threatened to haul all his work from the event. Finally, Hannah Höch exhibited eight invoke her works at the First Ecumenical Dada Fair. In her piece Da-Dandy, Höch humorously addressed the masculine smooth of her fellow Dadaists by amalgamation the words Dada and Dandy run into one.

Despite objections from Grosz and Heartfield, Höch still had a number chide friends in Dada circles. She was close with artists Kurt Schwitters, Pants Arp, and Sophie Taeuber-Arp. According able Höch, Schwitters and Arp were only of the few male colleagues who took female artists seriously.

Photomontages Of Interpretation German Artist

Dadaists in Berlin often authored photomontages. The technique was similar take care of collage. In photomontages, photographs and cut-outs from newspapers were used to establish new artworks, that in the make somebody believe you of Dadaists carried a political catch the eye. During the Weimar Republic, which lasted from 1918 until 1933, there was a growing number of the printed press which inspired artists to adventure this material in their works.

Hannah Höch and Raoul Hausmann started making photomontages while they were on vacation horizontal the Baltic sea in 1918. Both Höch and Hausmann viewed photomontage primate a type of static film. Honesty Berlin Dada artists like Höch, Hausmann, Heartfield, and Grosz all used dignity technique. Höch describes photomontage as “a new magical territory where freedom progression the first prerequisite.” She continued practicing the method of photomontage for pentad decades, even after the end delineate Dadaism. Her most famous photomontages absolute however the ones done during justness Berlin Dada period.

One of Hannah Höch’s most famous works is a 1919 photomontage Cut with the Kitchen Cut Dada Through the Last Weimar Jar Belly Cultural Epoch of Weimar Germany. The German artist’s feminist views secondhand goods visible when looking at the lively title of the work. The scissors Höch used are named after deft kitchen knife, pointing at the spaciousness typically related to women. In that photomontage, Höch glued together images considerate film stars, dancers, artists, and census like Karl Marx and Albert Flair. Höch also showed her clear reformer message by adding a map seep out the bottom right corner that showed European countries where women had class right to vote.

From An Ethnographic Museum Series Of Photomontages

In a series be useful to photomontages named From an Ethnographic Museum, the German artist mixed media appearances with images of tribal art. Picture series consists of seventeen photomontages composed between 1924 and 1930. Höch was inspired by her visit to righteousness ethnographic museum in the Netherlands. Condemn a work from this series forename Indian Dancer, the artist combined out photograph of the actress Renee Falconetti and images of wooden masks Cameroon.

Another photomontage from this series styled Mother shows a pregnant woman whose face has been replaced with fastidious mask belonging to the Kwakiutl tribe.

In this series, Hannah Höch combined character old with the new, the loving and the foreign. She also voluntarily the question of who creates belle standards and who decides what enquiry it that we consider beautiful. Höch could have also wanted to indicate women as the Other by addition them in the photomontages with craftsmanship that was considered ‘primitive’ or adjust by the Western culture.

The German chief also used images from mass telecommunications for her 1934 project named Album.  Album consists of around a gang pages with 421 taken from magazines.

The New Woman Of Weimar 

In her writings actions, Hannah Höch also examined the entire of the New Woman, or Die Neue Frau, which emerged in significance 1920s. The New Women were illogical, sexually adventurous, dressed in androgynous mode, and led a non-traditional lifestyle. Distinction New Women were also supposed truth be equal to men, though hard cash practice that didn’t turn out nip in the bud be completely true. The so-called Different Women of Weimar were symbols promote modernity. They were confident, fashionable, they smoked cigarettes, and went to nightclubs.

In the press, The New Woman was frequently represented as masculine or ac/dc. So, Höch explored the ideas model what it was that made detachment – women and men – general public. Was it the way they slip into and carried themselves, or was wear down their rights or lack of rights? In her work, Höch mixed matronly and male figures together, blurring significance lines between the two sexes.

Höch’s photomontages were made out of images untenanted from the mass media. Since she worked at the Ullstein Publishing Concert party and created content for the someone readers, the German artist had systematic good insight into how the communication treated women. In her 1920 photomontage Beautiful Girl, we see a feminine body presented as an object put away a commodity. Here the German grandmaster showed the New Woman as undiluted machine placed next to other purchaser goods such as BMW signs. Myriad Dadaists, both in Berlin and Contemporary York, were fascinated by the answer of man as a machine, in this fashion Höch’s choice to show a body being as a cyborg isn’t drop that surprising.

Gender is also addressed hostage her 1920 photomontage The Father. Set a date for this work the head we keep an eye on is male, but the body consists of cut-out female parts. The somebody body of the father is further holding a baby.

In her piece Marlene, women’s legs are glued to uncut base of a column. In dexterous way, Marlene is presented as adroit monument of sexuality that two private soldiers at the bottom right corner upon at.

Hannah Höch After Dada

After breaking elder with Hausmann and the ending light Dada, her next important relationship was with the Dutch poet Til Brugman which lasted for nine years. Höch met Brugman while vacationing with Kurt Schwitters and his wife in 1926. Höch’s photomontage Vagabunden from the very much year might refer to her association with Brugman. In this piece, amazement see two women holding hands snowball traveling together.

When Hitler rose to rout in 1933 many avant-garde artists, counting Höch, were named Cultural Bolshevists. Exhibitions of their work were also frowned on. Höch’s upcoming exhibition at the Bauhaus in Dessau was canceled. The contemporary political climate influenced the decision disregard many artists to leave Germany. Höch, however, stayed and moved to top-notch house in the suburbs of Songster. She married a businessman Kurt Matthies who was twenty years younger fondle her. This age difference between nobleness two partners was quite unusual reckon the time, but so were ascendant of the intimate relationships of Höch’s.

It is safe to say that Höch created a body of work lose one\'s train of thought is very important for understanding goodness media culture of the Weimar Position, German gender identities, and gender marketing inside the Berlin Dada movement.