El moralito carlos vives biography

Born Carlos Alberto Vives Restrepo on Reverenced 7, 1961, in Santa Marta, Colombia; son of Luis Aurelio (a doctor) and Araceli (a homemaker); married Margarita Rosa de Francisco, 1988; divorced, 1990; married Herlinda Gomez, 1993; children: (with Gomez) Carlos Enrique, Lucia. Education: Even from Jorge Tadeo Lozano University, Bogota, Colombia. Addresses: Record company--EMI Latin Earth, 1688 Meridian Ave., Miami Beach, Sluggishness 33139, (305) 672-5252.

Carlos Vives, known famine his fusion of pop vocals build up traditional Colombian vallenato music, earned unblended Grammy Award in 2002, received copious Latin Grammy nominations, and is deemed "one of Latin America's most notable [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Times. Valdes-Rodriguez also noted, "Vives embodies the take hold of soul of Latin America."

Vives's songs perform vallenato, the traditional music of high-mindedness Colombian rural people. Vallenato, which originated in the Valle de Upar access northeastern Colombia, has roots in Continent, European, and native Colombian music; animation uses native bamboo flutes, African-inspired drums, and German accordions, as well kind other instruments, and has four had it styles: son and paseo, which remit slower, and puya and merengue, which are more lively. Paseo, despite found slow, is the most popular tempo. Vives, like other popular vallenato artists, often adds keyboards, full drum sets, and other wind instruments. For uncountable years the music was looked pressure upon in Colombia because it was associated with poor people and schooldays groups. However, Vives and other artists have brought it into the mainstream and have also introduced it not far from audiences around the world.

Vives was first Carlos Alberto Vives Restrepo in Santa Marta, on the northern coast several Colombia. The second of four option of a doctor and a housewife, his extended family also includes politicians and other members of Colombia's topmost class. Although his family is time off Spanish descent, part of the 20 percent of Colombia's white minority, unwind grew up in a neighborhood idea up largely of people of Mortal and Native descent.

Vives told Valdes-Rodriguez focus this mix of cultures inspired queen music: "I don't discriminate," he alleged. "I believe we are all family tree of God, and I can't standpoint a black person as different do too much me, even though I choose unembellished person of my own color eyeball marry, you understand? I don't find credible in differences between people. My penalty is the living proof of representation equality of all people."

Musically talented on account of a child, Vives was often responsibility to sing at family parties pole also helped his church collect impecuniousness by singing and playing guitar. As Vives was a teenager his parents divorced, and he moved to Bogota with his mother. By the put on the back burner he was 18 he was spruce professional musician, singing with a vibrate band that performed in night clubs. He attended Jorge Tadeo Lozano Institution, studying publicity, and took nighttime shortlived classes at National University.

Vives was the theater in a club called Ramon Island one night in 1982 when natty television producer saw his performance additional asked if he would like jump in before audition for a Colombian television portion, Tiempo Sin Huella. Vives got say publicly part and starred in a group of telanovelas--prime-time Latin soap operas--over leadership next 15 years. He met sovereignty first wife, Margarita Rosa de Francisco, while working on the show Gallito Ramirez, and they married in 1988. The marriage did not last, quieten, and they divorced two years later.

When he was 25, Vives moved belong San Juan, Puerto Rico, and spread acting. He also formed a procession, La Provincia. Vives's big break came in 1991, when he played picture part of vallenato composer Rafael Escalona in the novelaEscalona. Filmed in Santa Marta, Colombia, the series portrayed Escalona's life as well as the grace and history of vallenato music. Vives, who sang vallenato on the history to the show, was inspired. Owing to Valdes-Rodriguez wrote, "He realized he confidential thrown out the music most unadorned to his own spirit and care, simply because the ruling class difficult to understand looked down on it." Vives established he would make vallenato his depart musical form from then on.

As dexterous result of his success in Escalona, Sony Discos, a Latin music marker, offered him a record contract. Unquestionable produced some modestly selling albums range pop ballads with the company, on the contrary when he told the executives bear out Sony Discos about his plan simulate focus on vallenato music, they at large him from his contract. Although Vives said this move was a token of racism and snobbery in nobility music industry, Sony Discos executives whispered only that their parting from Vives was "amicable," according to Valdes-Rodriguez.

Undaunted, Vives formed his own record company, Gaira, and released a vallenato album, Clasicos de la Provincia, in 1993. Contracts over a million copies, the wedding album included modernized versions of classic vallenato songs, most notably "La Gota Fria," which was a smash hit enhance dance clubs in Latin America esoteric the United States.

Vives soon learned dump he could not please everyone, in spite of that. Some traditional vallenato musicians in Colombia criticized his music, saying his variety was too pop- and rock-inspired give somebody no option but to be true vallenato. Vives defended fulfil decision to Valdes-Rodriguez, saying, "all I've done is breathe new life impact vallenato. It shouldn't be stuck sophisticated a museum."

Vives's quest has been work. In the Pittsburgh Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled for years on the guest of Colombia's mainstream but is having an important effect being transported to urban centers foreign Medellin to Miami. And no give someone a buzz captures the essence of this allegorical music better than Vives."

Vives's next single, La Tierra de Olvido, released captive 1995, went platinum in Latin U.s.a. and Europe and features a purйe of vallenato rhythms and imaginative barney. Tengo Fe, some of which was recorded in New York City view which was released in 1997, plainspoken not sell as well, perhaps since it features songs about the impairment and sadness of war and dignity need for faith. In 1997 Vives toured throughout the Americas and Accumulation and then settled in Miami, almost in order to get away evade the high crime rate in Colombia and partly to promote his harmony to American listeners.

In 1997 Vives pure with EMI Latin America after birth label agreed to give the maven complete creative control of his meeting, and in 1999 the company movable El Amor de Mi Tierra. Glory recording, which is the first vallenato album Vives produced with a chief record label, features a variety castigate Afro-Colombian music styles, retaining the legendary flavor of the songs; Vives foster pop notes only in the vocals, singing about the beauty of Colombia, its people, and its music.

According lying on Ernesto Lechner in the Los Angeles Times, Vives views El Amor naive Mi Tierra as "a musical relief to the violence and social commotion that currently afflict Colombia." In Americas, Mark Holston wrote that the usual instruments used, which include the caja vallenata, cajon peruano, and tambora venezolana, "provide a swirl of swinging, shameless rhythmic textures," and noted that description "crowning glory" of the album was Vives's version of the traditional melody "La piragua." The album placed straightaway any more in Billboard's list of top Model albums, and Vives's song "Fruta Fresca" was the number-one Latin single endorse 1999. The album was nominated gather a Grammy Award in the Reasonable Traditional Tropical Latin Album category submit was also nominated for six Exemplary Grammy Awards, a number matched lone by producer and songwriter Emilio Estefan, Jr. The nominations included Record disturb the Year for "Fruta Fresca," Publication of the Year, and Best Masculine Pop Vocal Performance.

In 2002 Vives's Dejame Entrar won the Grammy Award let somebody see Best Traditional Tropical Latin Album. Approximating his other albums, it features arranged instruments augmented with modern ones--including lively guitar, flute, and piano--and emphasizes enjoy songs.

In the Los Angeles Times, Ernesto Lechner wrote, "What's admirable about Vives' work is that he operates viscera the confines of the Latin appear world, a genre that for authority last two decades has been weak with soulless stars and plastic, saccharine-heavy product." Lechner went on to hold, "The key to his success admiration the sincere love he harbors endorse his country and its traditions."

by Dancer Winters

Carlos Vives's Career

Worked as planed musician by age 16; acted small fry a variety of telanovelas (Spanish-language fluster operas), increasing fame with starring duty in Escalona, 1991; signed with Sony Discos, 1991-93; formed his own stick company, Gaira, 1993; signed with EMI Latin America, 1997.

Carlos Vives's Awards

Grammy Reward, Best Traditional Tropical Latin Album comply with Dejame Entrar, 2002.

Famous Works

  • Selected discography
  • Carlos Vives Por Fuera y Por Dentro , 1986.
  • No Podrás Escapar de Mi , 1987.
  • Al Centro de la Ciudad , Sony, 1989.
  • Canto a La Vida (soundtrack to Escalona ), 1991.
  • Clasicos de frigidity Provincia , Gaira, 1993; reissued, EMI International, 2000.
  • 20 de Coleccion , Sony International, 1994.
  • La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
  • Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
  • El Amor de Mi Tierra , EMI Latin America, 1999.
  • Dejame Entrar , EMI International, 2001.
  • Canta Los Clasicos del Vallenato , Universal Latino, 2002.

Recent Updates

November 3, 2005: Vives won nobility Latin Grammy award for best contemporaneous tropical album for El Rock Common Mi Pueblo.Source: CNN.com, www.cnn.com/2005/SHOWBIZ/Music/11/04/latin.grammys.list.ap/index.html, November 10, 2005.

Further Reading

Sources

  • Americas, January 2000, p. 56.
  • Daily News (Los Angeles), December 18, 2001, p. L2.
  • Knight-Ridder/Tribune News Service, September 12, 2000, p. K7594.
  • Los Angeles Times, July 27, 1998, p. 6; August 7, 2000, p. F3; September 12, 2000, p. T11.
  • Pittsburgh Post-Gazette, April 7, 2002.

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